Showing posts with label library. Show all posts
Showing posts with label library. Show all posts

Tuesday, March 24, 2015

Behind the scenes in Technical Services: fixing the Romance of Piracy

(by Heather Hernandez, Technical Services Librarian)

As any reader knows, despite our best intentions, books are occasionally damaged.  Here in the Collections Dept., we do a lot of repairs on our collections materials, including repairs and stabilization of items upon receipt--a lot of items are in bad shape when they arrive, and we repair and stabilize them so they can be used for research by our users.

The books shelved in our main stacks are not only used by researchers in the Reading Room of the Research Center, but unlike our rare books, they also circulate to staff, and to researchers at other libraries via interlibrary loan.  (Rare books never leave the Research Center, and the decision process for their preservation is entirely different--they are preserved as acquired and often placed in protective enclosures.)  Sometimes we decide to simply replace a damaged stacks copy by purchasing one in better condition, but when we can't easily replace the copy, or repair is more efficient than replacement, we repair it.

One such item is our copy of the Romance of Piracy--the bottom of its spine was damaged.  This typically happens when a book is dropped.  This is a picture of the spine at the bottom of the book, showing the spine slightly detached from the front board (the front cover).  The book is held spine up in a finishing press, ready for repair:


Using an adhesive that is a mixture of wheat starch and methyl cellulose in water, which is fully reversible in water (should we ever wish to reverse the repair), I used a small piece of hanji paper to repair the spine, placing part of the hanji paper under the rumpled and partially detached spine piece, and overlapping a bit onto the front cover:


Then a piece of wax paper is placed on the repair, with waste paper behind that to absorb moisture, and the book is wrapped in a bandage to apply pressure to the repair, so it dries as flat as possible.  It's left like this overnight (and I'm always impatient in the morning to see how it came out!)


This is the dried repair, with the book back in the finishing press, so I can easily trim the hanji paper's little threads that hang below the bottom of the book:


The final step is coloring the hanji paper so that it blends with the rest of the book binding with some colored pencils--this is purely for aesthetic reasons.  The finished repair:


And, most importantly, the book is now sound, and opens and closes again as it should, and is ready  to be read again!

Want to know more about preservation, conservation, and caring for collections?  CoOL, Conservation Online has lots of information and links, including Conservation/Preservation Information for the General Public.

Tuesday, October 21, 2014

Digging for Gold at the Library: Rime of the Ancient Mariner

(by Gina Bardi, Reference Librarian)

"With my cross-bow I shot the Albatross" illustration by Gustav Dore
"With my cross-bow I shot the Albatross" by Gustav Dore


If you’ve never read the poem, you can find it here from the Poetry Foundation, full text: The Rime of the Ancient Mariner 


Rime of the Ancient Mariner Pathfinder

This document was created to assist people who are interested in learning more about the poem, Rime of the Ancient Mariner by Samuel Taylor Coleridge and related subjects.

At the San Francisco Maritime Research Center
Books

The Poem 
Sure, you’ve read Rime of the Ancient Mariner, but have you seen it illustrated?

Coleridge, Samuel Taylor. The Rime of the Ancient Mariner. Milano: Edizione d’Arte “Felix,” 1966. Print.
Renowned illustrator Gustave Dore did the drawings for this edition. It is, as to be expected with Dore, marvelous and, due to the subject matter, frightening. FF PR4479 R5

Coleridge, Samuel Taylor. The Rime of the Ancient Mariner. New York: Heritage Press, 1945. Print.
This beautiful edition is illustrated by Edward A. Wilson with notes and an introduction by John Livingston Lowes, a Harvard professor who specialized in Coleridge. The printing quality is outstanding and this volume is perfect for reading aloud.
FF PR4479 A1 1945
  
Poetry and Criticism in General
This is just a sampling of the material we have on poetry collections and literary criticism. Please visit our online catalog: www.keys.bywatersolutions.com  to see more selections.

Boon, Kevin A., and Karen Markoe, eds. Reading the Sea: New Essays on Sea Literature. 1st ed. New York: Fort Schuyler Press, 1999. Print.
Fort Schuler Press is the academic press of the State University of New York Maritime College. One of the essays in this book is entitled: Blurred binaries: a mapping of excess and desire in S.T. Coleridge's "Rime of the ancient mariner"  by Royce W. Smith.
PN56 S4 R43 1999

Cole, William. The Sea, Ships and Sailors; Poems, Songs and Shanties. New York: Viking Press, 1967. Print.
Besides the “regulars” this collection includes works by people as diverse as Shel Silvertstein and John Updike.
PN6110 S4 C62 1967

Kobus, L. C. S. The Rhyme of the Modern Offshoreman. Houston: Seamount Book Co, 1975. Print.
I added this because it’s such an unusual book of poetry on such a specific topic. Titles included are “The Old Sea Rig’ and “The Offshore Platform.”
PN6110 S4 K4 1975

Williamson, W. M. The Eternal Sea, an Anthology of Sea Poetry. New York: Coward-McCann Inc, 1946. Print.
This compact volume includes over 100 poems. They are arranged by topics, such as “Nautica Mystica” and “A Child of the Sea”.
PN6110 S4 W6

Superstitions and Folk Lore
Bassett, Fletcher S. Sea Phantoms, Or, Legends and Superstitions of the Sea and of Sailors in All Lands and at All Times. Rev. ed. Chicago: Morrill, Higgins & Co, 1892. Print.
Also available full text on line here.
This book is cram packed with useful tidbits. If you ever come face to face with a kraken, you’re going to wish you had read this.
GR910 B31 1892
  
Beck, Horace Palmer, and Marine Historical Association. Folklore and the Sea. 1st paperback ed. Middletown, Conn: Published for the Marine Historical Association, Mystic Seaport, by Wesleyan University Press, 1977. Print.
Horace Beck is a notable Folklorist. A professor at Middlebury College in Vermont for over 20 years, this book is considered a classic in both folklore and maritime studies.  
GR910 B37

Clary, James. Superstitions of the Sea. St. Clair, Michigan: Maritime History in Art, 1994. Print.
This book Is an easy to read compendium of superstitions and stories from around the world.
GR910 C53 1994

Archival Material
We have many collections which include original poetry written by seamen. For an overview, please see this post on our blog, Full Fathom Five.  

Photographs
We have photosgraphs in the collection depciting sailors and albatross. Be on the lookout for an upcoming blog post of Full Fathom Five highlighting these and other images in our collection remeniscent of The Rime

Online
The Rime of the Ancient Mariner  from the Poetry Foundation
The Rime of the Ancient Mariner from Project Gutenberg
See the beautiful Gustave Dore illustrations  for the Rime in the University of Buffalo’s digital collections.
Smith, Laura Alexandrine. The Music of the Waters: A Collection of the Sailors' Chanties, Or Working Songs of the Sea, of All Maritime Nations. Boatmen's Fishermen's, And Rowing Songs, And Water Legends. London: K. Paul, Trench, 1888.
The University of Ottawa in Canada has gathered a useful list of literary criticism of the poem.

At Other Institutions
Here are some sources outside of the library which might be useful.
Books

Bloom, Harold. Samuel Taylor Coleridge's the Rime of the Ancient Mariner. New York: Chelsea House Publishers, 1986. Print.
This essay collection edited by noted critic Harold Bloom is part of the Modern Critical Interpretations series and even includes an essay by Camile Paglia.

Boulger, James D. Twentieth Century Interpretations of the Rime of the Ancient Mariner: A Collection of Critical Essays. Englewood Cliffs, N.J: Prentice-Hall, 1969. Print.
Includes essays by Coleridge scholar John Livingston Lowes and the poet Robert Penn Warren.
Coleridge, Samuel T, Martin Gardner, and Gustave Doré. The Annotated Ancient Mariner: The Rime of the Ancient Mariner. New York: C.N. Potter, 1965. Print.
This edition combines the drawings of Dore with the elucidation of scholar Martin Gardner.

Film
Rime of the Ancient Mariner. Dir. daSilva R. perf. Michael Redgrave. . West Long Branch, N.J: Kultur, 1984. Film.
The worldcat.org summary states: “A two-part program which examines the life of Samuel Coleridge from his orphaned childhood to how his friendship with William and Dorothy Wordsworth inspired him to write the rime of the ancient mariner. Part 2 consists of a visualization of Coleridge's epic poem - The rime of the ancient mariner.”

The Rime of the Ancient Mariner. Dir. Jordan, Larry. Perf. Orson Welles.  Chicago, Ill: Facets Video, 1989. Film.
The worldcat.org summary states: “Using the classic engravings of Gustave Doré and a cut-out style of animation, the film follows Samuel Taylor Coleridge's long dream of an old mariner who kills an albatross and suffers the pains of the damned for it.”

Music
Iron Maiden. Rime of the Ancient Mariner. 1985. CD.                  
I couldn’t resist throwing this on here. The 13 minute long song stays faithful to the poem, even including passages that lead singer Bruce Dickinson eerily recites. Could Eddie be the Ancient Mariner?


Tuesday, October 7, 2014

New in the Research Center: Rough Weather All Day

(by Heather Hernandez, Technical Services Librarian)

Cover of Rough Weather All Day, edited by David Hirzel
We're delighted to announce that Rough Weather All Day : an Account of the "Jeannette" Search Expedition by Patrick Cahill, edited by David Hirzel, is now available in the Research Center.

Patrick Cahill, a member of the expedition, kept a diary that has been unavailable in published form until now.  Rich in details of the daily life spent among native peoples that sheltered the members of the expedition, this title is of interest to anyone wanting to learn more about the exploration of the northwest coast of North America.

Tuesday, August 5, 2014

Maritime Metaphors: We're near the water

(by Heather Hernandez, Technical Services Librarian)

One of my favorite songs by one of my favorite bands is "Nothing on My Mind" by Too Much Joy.  (Give it a listen on their Song of the Week blog.)  It's a song on their album Cereal Killers, which is always with me--in multiple formats at home, and on my player in my bag.

This song has always captured an exact feeling for me:  grabbing a sketchbook and heading to the water.  In times of joy, in times of sadness--letting it all go, sitting on the beach, on a pier, or on a boat and losing myself in drawing what I see.  A sketchbook, drawings, pencils, colors--and the water with its boats, birds, waves.  One of the best things about where I work, and where anyone can visit:  we know "guys" with boats, and some of them are so quiet...without motors...

What does this have to do with Collections?  Plenty!  Need some hints about drawing?  Need something to color?  These will get you started:


Then head to the water.  Sit and enjoy the sound of the waves.  Float around on a boat.  Start drawing and coloring, and drift...let there be nothing on your mind...

Nothing On My Mind

It’s not important
This stuff that I’m afraid of
I’ve got a bugle someplace
Let’s get a parade up
We’re near the water
I know a guy with a boat
It doesn’t have any motor
We can just sit and float

I’ll give you a coloring book
You can draw outside the lines
I’ve got nothing on my mind

My cousin died at a Who concert
He was camping out in line
Me and him went camping, once
I’ve got nothing on my mind
That’s my favorite song
Baby do you wanna dance
If you’re happy and you know it
You got to clap your hands

I’m out of control
Je t’aime le rock and roll

Tuesday, July 1, 2014

New Research Center Hours

Due to changes in staffing levels, effective July 7, 2014 the Maritime Research Center will be open by appointment only, Monday through Friday 1:00pm-4:00pm.  Appointments must be made at least twenty-four hours in advance.  (Closed most federal holidays.) Please contact us to make an appointment with a reference librarian, for assistance with your research, or for more information.

Tuesday, June 17, 2014

It's 1877--how much would my ticket cost?

(by Heather Hernandez, Technical Services Librarian)

What might your journey cost when you disembarked from your steamer in 1877?  Now that we've digitized a joint circular from the Central Pacific and Union Pacific Railroads, you can see the "booked through" fares for different passenger classes from many different steamship lines.  Here's the first page--check out both pages online at the Internet Archive or in our Keys Catalog:


Tuesday, April 22, 2014

Maritime Metaphors: Song to the Siren

(by Lisbit Bailey, Archivist and Pop Music Aficionado)

Song to the Siren is a beautiful song written by Tim Buckley (1947- 1975) and Larry Beckett. It was originally released on Buckley's 1970 album Starsailor. The song refers to the Sirens that tempt sailors to their fate from the Greek myth of Jason, the Argonauts and the Golden Fleece. A palpably sad song, it speaks to blind and doomed love that is heartbreakingly bittersweet. An incredibly moving version of this song was performed by Tim Buckley in the last moments of the last episode of The Monkees television series in 1968. (Watch and listen on YouTube.)

Song to the Siren

Long afloat on shipless oceans
I did all my best to smile
'Til your singing eyes and fingers
Drew me loving to your isle

And you sang
Sail to me, sail to me
Let me enfold you
Here I am, here I am
Waiting to hold you

Did I dream you dreamed about me?
Were you hare when I was fox?

Now my foolish boat is leaning

Broken lovelorn on your rocks

For you sing
Touch me not, touch me not
Come back tomorrow
Oh, my heart, oh, my heart
Shies from the sorrow

I am as puzzled as the oyster
I am as troubled at the tide
Should I stand amid the breakers?
Or should I lie with death my bride?

Hear me sing
Swim to me, swim to me
Let me enfold you
Oh, my heart, oh, my heart
Is waiting to hold you

To get you into the swim of things, I’ve selected two books from the Collections at the San Francisco Maritime National Historical Park. Enjoy!

The Jason Voyage: the Quest for the Golden Fleece by Timothy Severin

The Odyssey of Homer by Homer; Lattimore, Richmond Alexander, 1906-1984

Monday, April 14, 2014

New in the Library: Ships' altars

(by Heather Hernandez, Technical Services Librarian)

Cover of the Library's copy
A very rare pamphlet on Ships' altars and church spaces on Hamburg-American & North German Lloyd ships is now available in the Library.  Chiefly illustrations of the ships' worship spaces, this small volume of twelve pages published in 1935 also outlines the services available to passengers and crew:


To see more, just contact us!

Tuesday, February 18, 2014

Digging for Gold at the Library: Anthologies of Shipwrecks and Other Maritime Disasters

(by Gina Bardi, Reference Librarian)

As the winter finally descends upon San Francisco my thoughts turn to good books to cozy up with on a cold night (ok, East Coasters, be quiet. 50 degrees is winter to us!)

Tucked in a comfy chair with a blanket and a fire roaring, there are few better things to read than tales of shipwrecks and disasters.  Safe in the knowledge that I will soon fall asleep in a warm bed, I can let myself explore the terrible hardships encountered by those who brave the sea and too soon learn of her cruelty.
I went back to the shelves and picked 5 anthologies of shipwrecks and disasters for those of you who are fascinated by the tragic side of the sea. 3 of them I have read before and 2 are new to me. I hope you enjoy them safely and warmly in the new year.

1. Kingston, William Henry Giles. Shipwrecks and disasters at sea. New York: G. Routledge, 1873. Book. (Available in the Library and online in multiple formats.)

Kingston’s book is interesting because not only does it provide accounts of aforementioned shipwrecks and disasters, but it also attempts to be an ethnography and a natural history of places where the tales have happened.  For instance, in the chapter entitled “The wreck of the ‘Cabalva’ or the Adventures of Old Bo” there’s some very nice drawings and descriptions of the canoes of New Guinea (p. 483) .



In fact, this book has many charming illustrations. The one below caught my eye as I was flipping through. Perhaps it’s the Oliver like language.  (p. 374)



Or this one- the faces of the men are haunting  (p. 209).



Or this one of a bird colony- can’t you just these gulls a’sqwuakin’? (p. 283).



Most of the accounts tend to be first person narratives. However, they are not cited at all which would be frustrating if using this in any sort of academic way. For example, the chapter on the foundering of the Arctic, begins, “Some years ago I made a passage, in the month of September, on board one of the fine ships belonging to the Collins’ line of steamers, from Liverpool to New York.” Whoever this “I” is is never mentioned or addressed. It would be nice to know who our heroic survivor was.

2. Huntress, Keith. Narratives of Shipwrecks and Disasters. Ames: Iowa State University, 1974. Book.

As opposed to the Kingston book, this anthology strives to give background information on both the narrator and the event.  Context greatly helps and gives an added dimension to the account.  Huntress tells us, as an example, that the chapter on the brig Polly so impressed Edgar Allen Poe that he used it as a basis for his Narrative of Arthur Gordon Pym.  Having read Pym a few years back, I knew I was in for a harrowing account.  In fact, I would say this book really packs a punch more so than some of the others. I believe the author has done a particularly good job of selecting which narratives to use.  The book has an added bonus of including a “Checklist of narratives of shipwrecks and disasters” wherein Huntress lists works  in which “shipwrecks or other maritime disasters have been the primary concern” (p. 218).  There are a few hundred listed but he concedes that there are thousands he has not listed.

3. Lockhart, J.G. Peril of the sea: A book of shipwrecks and escapes. London: Philip Allan & Co. 1924. Book.

This collection differs from the previous two in that these are not solely first-hand accounts or narratives; Lockhart tells the story and mixes in first-hand accounts liberally.  This collection is interesting because it has a description of the sinking of the Titanic, something most of the anthologies I’ve come across shy away from, most likely because it is extensively covered in other sources.  There’s also an account of the sinking of the Birkenhead in 1852.  Anyone want to venture a guess as to what the wreck of the Birkenhead is famous for? (pause to give you a chance to think… no Googling!) It’s the first known time the practice of saving the women and children first was instituted.  Despite the fact that the frigate was well built and almost new there were not enough lifeboats on board.   Adding to the tragedy was that some of the already inadequate number of boats were either destroyed in the wreck or inaccessible because of it.  Of the 445 on board, 193 were saved, around 30 of which were all the women and children on board.  A male survivor is quoted as saying, “Thank God, it can seldom be said that Englishmen have left women and children to perish and saved their own lives!” (Lockhart 267).

4. Martingale, Hawser. Tales of the ocean and essays for the forecastle: containing matters and incidents humorous, pathetic, romantic and sentimental. Boston: B.B. Russell, 1874. Book.  (The 1840 edition is available online and in the Library.)

Ok, you caught me.  This one isn’t just about shipwrecks, but the title was so fetching to me I couldn’t resist pulling it off the shelf and checking it out. I was anxious to see  what all Mr. Martingale had collected for us under the categories listed in the subtitle.  Most of the contents of the book came from articles published in the Boston Mercantile Journal presumably written by the author.  Martingale states in his introduction  “Among the Tales which are here presented to the public, illustrative of life at sea, are interwoven chapters of a different character; essays, which, prompted by a sincere wish to promote the welfare of seamen, are designed to awaken in their bosom  a sense of their moral duties” (p. iv) and later claims: 

if a perusal of the following tales and essays will charm away a single wrinkle on the anxious brow, or cause a single noble hearted Yankee mariner to reflect on his moral nature, and to resolve to abandon the evil habits into which he may have unconsciously fallen, their publication will not be in vain” (p. v).

Therefore, many of the stories are very moral in nature.  Shipwrecks are due to drunken captains.  Sailor’s downfalls are licentiousness women (indeed he states, “Woman is a sunken rock in the sea of life, on which many a gallant fellow has been wrecked” ) (p. 121) and woe to anyone who partakes of tobacco.
The shipwrecks that are described are done so in ways that the delicate reader of the 1800’s would not need to be reclined on a fainting couch to peruse them.  There is however a very nice description of a Crossing the Line ceremony and some rollicking good yarns. The title note on the catalog record says “Author claims most of stories and anecdotes to be founded on fact” (p.iii).  I would think “founded” in this case means precariously perched on the slimmest of threads.

5. Howe, Henry. Life and death on the ocean: a collection of extraordinary adventures in the form of personal narratives. Cincinnati: Henry Howe. 1856. Book.  (Available in the Library and online.)

This wonderful collection has it all, descriptive accounts, varied and unusual events and gripping illustrations. I’m a bit partial to Howe’s collection because it contains an account of the French frigate Medusa I haven’t heard before.  The Medusa is one of my favorite shipwrecks (it feels frivolous to deem a shipwreck a “favorite.” It’s certainly one of the most fascinating and compelling. To get an idea of how compelling, take a look at a painting of the raft done by Gericault in 1824.  Most accounts are taken from the survivors of the raft, but Howe’s contains a narrative from one of the women, Mlle Picard, who was on one of the lifeboats.
He also includes accounts that aren’t about shipwrecks per say, but rather castaways and prisoners of war.  The account of the Old Jersey prison ship is particularly brutal. Here’s an illustration (between p. 216 and 217): 


Another feature of this book is that it is more global in scope.  Most of the other volumes mentioned here deal with either British or American solely or a mixture of the two.  Besides the aforementioned Medusa, he includes a tale of a Russian vessel.

If this blog post has been too much to handle- too much misfortune and despair, I understand. Talking about shipwrecks and disasters can seem ghoulish, but for many reading about these tragedies leads to better understanding of history and an appreciation for the brave men and women who go to sea. But if any sensibilities are too frayed, might I suggest visiting a website my co-worker Amy sent to me… if this doesn’t rewarm your heart then you need an IV drip of cocoa stat!


Monday, December 9, 2013

Holiday hours

The Library will be closed from Saturday, December 21, 2013 through Wednesday, January 1, 2014, resuming normal service hours on Thursday, January 2, 2014.

Thursday, November 7, 2013

Thanksgiving holiday hours

The Library will be closed for the Thanksgiving holiday, Wednesday, November 27 through Friday, November 29, resuming normal hours on Monday, December 2.

Thursday, October 17, 2013

Business as usual

All normal services in the Library will be resumed as of Friday, October 18, 2013.  Thank you for your patience as we restart services after the federal government shutdown.

Questions?  Call 415-561-7030.

Library resuming services

The Library is resuming normal services--please call 415-561-7030 for more information.

Tuesday, September 17, 2013

Digging for Gold at the Library: Lloyd's Register online!

(by Gina Bardi, Reference Librarian)

In my reference work, I have what I like to refer to as my “Greatest Hits” these are books I constantly refer to, almost every day. They are the work horses of the library (Greatest Work Horse Hits?). One of these is our collection of Lloyd’s Registers. Lloyd’s Registers are a serial publication which began in the 1760’s in a coffee house of London. Two things you should know about Lloyd’s Registers: 1) They are not affiliated with that other Lloyd’s which also started in the same coffee house and insures things like Betty Grable’s legs and Marlene Dietrich’s voice (although I am going to make a huge tangential leap further down and combine Lloyd’s of London, Lloyd’s Register and Marlene Dietrich in a roundabout sort of way) 2) Lloyd’s Register does not register vessels, despite the name. They classify vessels. But I guess “Lloyd’s Classifieds” didn’t sound as snazzy to those coffee drinking blokes as Lloyd’s Registers. More specifically, Lloyd’s Register was/is a way for merchants and underwriters to get to know the vessels they were insuring, buying or doing business with. Lloyd’s would rate a ship based on a variety of factors giving ones that rated the highest an “A1” rating. As a result, there’s thousands and thousands pages of data about the nitty gritty of thousands and thousands of vessels, which is a very welcome side benefit to researchers, genealogists, model makers and general enthusiasts alike. And now… they’re online! Not all, but from 1764-1874 and some volumes in the 1880’s available here, which also  links to additional registers from 1930 to 1945.

Lloyd’s Registers is for vessels classified in Great Britain. For good ol’ USA vessels, you’ll want to use American Lloyd’s and the Record of American and Foreign Shipping (which we refer to as ABS as it’s produced by the American Board of Shipping). 1859-1900 are available from the Mystic Seaport library. 

Now, here’s where I tie Marlene Dietrich, Lloyd’s of London and Lloyd’s Register together. Let’s say you’re a Marlene Dietrich fan (and if you’re not, you should be). As I mentioned above, it’s been rumored that Lloyd’s of London insured her legs for a million dollars. In 1938, when Marlene Dietrich came back to the United States to become a US Citizen, she was on the SS Normandie. And voila! Here is the Lloyd’s entry for the SS Normandie.  

Now you can write the most complete biography of Marlene Dietrich that is so detailed, it mentions what kind of engines the SS Normandie had (Steam turbines connected to electric motors).

Here’s our record in Keys for Lloyd’s Registers.

Have fun searching!

Tuesday, July 16, 2013

Digging for Gold at the Library: Abandon ship!

(by Gina Bardi, Reference Librarian)

Books can save your life. I don’t just mean those YouTube videos showing how to use a book as a weapon of self-defense (Helpful hint- a book spine can break a nose).  That’s a pretty concrete example. I’m thinking of books that are written to help you survive an extreme situation.  Are you wondering if we have an example in our collection? Has your eye already caught the book jacket pictured below? Well then let’s get to it.  This is a gem from our collection, How to Abandon Ship by Phil Richards and John J Banigan.

Cover of the book, Abandon Ship

Published by Cornell Maritime Press in 1942 and reprinted by the Infantry Journal in 1943, this slim, thin beauty of a book gives concise advice on how to survive a shipwreck, most likely a ship being torpedoed.  Banigan, a naval officer, was a victim of a shipwreck and managed to bring his crew of ten safely home after 19 grueling days at sea. The book includes information on what to do before, during and after an accident, how you prepare yourself the minute you step aboard ship from drills to becoming familiar with life boats, making sure adequate supplies are on hand, what to do once you are hit (Don’t panic. Easier said than done, yes?) The strongest part of the book is what to do once you are in a lifeboat, including information on keeping morale up and rationing.   For instance, I found this advice on how to divide rations called formally enough “Who is to have this” most illuminating:

One person turns his back on the object that is to be divided; another then points separately to the portions, at each of them asking aloud ‘Who shall have this?” to which the first answers by naming somebody. This impartial method of divisions gives every man equal chance at the best share (105).

I’ll be sure to use this method next time there’s a birthday cake. We’ll let fairness decides who gets the corner pieces.   The book also includes chapters on medical advice, issues with food and hunger, water and thirst and weather.  I sincerely hope you never need to rely on anything in this book, but it’s good information to have (and there are some interesting recipes).

If you’d like to see this book or any of the others we have on survival, safety or harrowing tales of shipwreck survivors and the not so fortunate, come into the library. If I’m not eating a corner piece of cake, I’ll be happy to help.

Richards, Phil and John J Banigan. How to Abandon Ship. New York: Cornell Maritime Press, 1942. Print.


Tuesday, July 9, 2013

Ships by John Masefield

(by Ted Miles, Assistant Reference Librarian)

Black and white photo of vessel on the water
Wanderer of Liverpool at anchor in San Francisco Bay, circa July 1892.
Photo by Thomas H. Wilton (B6 40,027nl)

John Masefield  ( 1878-1967) started by joining the Training Ship Conway intending to be an officer in the British Merchant Navy at that time the largest in the world. After completing his schooling in 1894, he went to sea as an Apprentice in the Gilcruix (iron 4 mast ship, built 1883) and several other vessels; he had seen the famous and beautiful Wanderer (steel 4 mast bark, built 1890). He wrote a detailed biography of the vessel. But he had to abandon his sea career due to poor health. After a period of odd jobs he settled into a successful career of writing and lecturing in England and the United States.

But his early life at sea provided the creativity that produced Salt Water Ballads in 1902. And many of his sea poems also appeared in his Collected Poems in 1922 which sold over 80,000 copies.

The poem is a tribute to the Port of Liverpool and to the vast fleet of ocean going square riggers that once crowded its harbor and wet docks. From it comes:

Lochs, Counties, Shires, Drums, the countless lines
Whose house-flags were all once familiar signs
at high main-trucks on Mersey’s windy days
When sunlight made the wind-white water blaze.
Their names bring back old mornings, when the docks
Shone in their house-flags and their painted blocks,
Their raking masts below the Custom house
And all the marvelous beauty of their bows….
That nobleness and grandeur, all that beauty
Born of a manly life and bitter duty,
That splendor of fine bows which yet could stand
The shock of rollers never checked by land.
That art of masts, sail crowded, fit to break,
Yet stayed to strength and backstayed into rake,
the life demanded by that art, the keen
Eye-puckered, hard-case seamen, silent lean,--
They are grander things than all the art of towns,
Their tests are tempests and the sea that drowns,
They are my country’s line, her great art done
By strong brains laboring on the thought unwon,
They mark our passage as a race of men,
Earth shall not see such ships as these again.

This last couple of lines is the most often quoted of Masefield’s poetry. The poet became Poet Laureate of the United Kingdom in 1930 and was given an honorary doctorate from Cambridge University in 1931. That is a pretty successful effort for a boy who liked to read and expected to go to sea in a square-rigged sailing vessel.   

The Poems and Plays of John Masefield (Volume One Poems) by John Masefield, (New York: The MacMillan Company) 1922. Pages 68, 69, 70 and 71. 
                                                                      
                         


Tuesday, July 2, 2013

Holiday hours this week

(by Heather Hernandez, Technical Services Librarian)

Update:  The Library will also be closing at 2:30 pm on Wednesday, July 3.

Reminder:  the Library will be closed for the federal holiday this Thursday, July 4 and also closed on Friday, July 5.  We will resume our normal hours on Monday, July 8, 3013.

Monday, June 17, 2013

Holiday hours, July 2013

(by Heather Hernandez, Technical Services Librarian)

The Library will be closed for the federal holiday on Thursday, July 4 and on Friday, July 5, resuming our normal hours on Monday, July 8, 3013.

Tuesday, May 14, 2013

More on dandyfunk

(by Heather Hernandez, Technical Services Librarian)
"The cook and the galley on an American ship"
(facing p.11 of Around the Galley Stove)

Longtime readers may remember my post, "From dandyfunk to cracker jack?" on our previous blog, Maritime Compass, where I related my learning of dandyfunk from Norman Springer's memoir.  Dandyfunk is not something that one forgets, nor does one forget another dish that Mr. Springer discussed, cracker hash.

One of the pleasures of working in a maritime history library is the opportunity to spend one's off hours reading, and it's almost as if the books know of my interest in cooking, baking, and fiber arts--it seems as if they fall open to sections on food or clothing.

Around the Galley Stove : a Dissertation upon Stoves, Galleys, Cooks, Ships and Sailors in General, by Frederick William Wallace seemed to have done just that--I opened this small, thin book, and it spoke to me not only of food and cooking, but of dishes that particularly interest me--cracker hash and dandyfunk:
A great sailor's dish is 'cracker hash,' made by breaking up ship's biscuit into small pieces with some salt junk diced in it.  The whole is mixed up with 'slush' or grease skimmed from the cook's coppers, and baked in the oven.

'Dandyfunk' is another foc'sle mess, made by pounding biscuit into a fine powder and mixing it into a paste with water.  Molasses is added, and the resulting 'cake' is baked in the oven.

Regarding 'dandyfunk.' Aboard a large scotch ship, the crew had a penchant for making this dish, but latterly, most of the crew became too lazy to bother making it.  One man, however, always made himself a dish for tea, and the others would expect him to share all round, sailor fashion.  At last, the industrious one got tired of making 'dandyfunk' for the whole of his watch, and refused to share.  His shipmates thereupon annexed the delicacy, whenever they could steal it out of the oven, and would gobble it up, leaving the empty dish in the oven again.  When this had been done once or twice, the industrious one procured perfect immunity from theft and sharing, by chewing the biscuit up in his mouth, instead of the orthodox pounding and mixing with water.  Nobody bothered him to share his 'dandyfunk' after they had seen his process for making it.

In order to get these dishes baked, it is necessary for the sailor to keep on good terms with the cook, who can, if he likes, become postively [sic] autocratic with his privileges.   --p. 38-39.
You can continue reading--the book is not only available in the Library, but online for free as well.

Tuesday, February 5, 2013

Holiday hours

The Library will be closed on Monday, February 18 in observance of Washington's Birthday.  We will be resuming normal service on Tuesday, February 19.